Desert Mambas (Bailey Moses) counters transphobia with a tender song of affirmation and self-love. Referencing Leslie Feinberg’s Stone Butch Blues, Desert Mambas pushes back against the public’s assumption that they are a “failed man.” But Desert Mambas knows they are something even greater than any one gender identity: they are fully themselves, and they will present any which way they please.
Desert Mambas is one of a slew of trans artists who have been recently signed to Kill Rock Stars’ Nashville imprint, and it’s looking like there will be more great music to come. In our interview, Bailey shares some of their wildest experiences as a musician — and who influences them to keep going.
Who are some of your musical influences?
My favorite band in the world will always be Shannon and the Clams. To me, there is no cooler and greater frontperson than Shannon Shaw. I love oldies and storytelling tunes that have a hint of humor in them. Phranc is a master at that who I admire greatly. I am also a big fan of what I call the holy trinity of Johns: Johnny Cash, John Prine, and Jonathan Richman.
What are some of the best venues you’ve played? Why?
It’s not exactly a venue in the traditional sense, but a few years back my other band Foxx Bodies got to play a roller rink in Wichita Falls on the way to SXSW. It was hands down one of the most fun shows I have ever played. Not only were people incredibly into it, they were skating in circles the entire set. It was just such a unique and fun way to play music for people.
Where are some places you’ve found joy within the country/Americana world?
Honestly, through my Kill Rock Stars Nashville family! I got to meet and watch so many of the country/folk artists on the label perform at SXSW this year and it was such a beautiful experience. I am forever grateful to be a part of something that is uplifting and bringing together a community of queer Americana musicians. It’s important for our stories to be told and country music is such a perfect medium to deliver those messages.
How do you feel your queer identity ties into your performance style or music?
My queer identity is somewhat synonymous with the music I make. Most of what I write about is related to being trans or growing up queer in a conservative place. I grew up in Arizona around country music, but felt so much resentment towards that culture. It took me a long time to untangle those feelings and reappropriate the music I loved through my own queer lens. I am so thankful for all of the queer country/folk musicians who have paved the way for us to be celebrated in this genre.
Do you try to make the most of being in a city, or do you prefer to just rest up?
I always make a beeline for the nearest thrift store or record store! Especially when I’m in a smaller city or a place with some cool regional record labels or fashion. Living in LA, they try to charge you an arm and a leg for vintage western wear –– always better to go straight to the source!