Queer Country Dominates Year-End Lists

Queer Country Dominates Year-End Lists

It’s the week before the week before Christmas, and you know what that means: it’s year-end list season. Personally, I like to publish those in January because the year isn’t over and I haven’t listened to everything yet. That’s why there’s still time to vote in the Rainbow Rodeo Year-End Poll for Queer Country Album of the Year!

I was thinking of linking to all the year-end lists that feature queer country artists and then I was like “nah…then that would be like all of them and that’s too much work.”

And then I was like “wait a minute…it is all of them.”

(Just from some informal counting, Allison Russell, Brandy Clark, and Joy Oladokun are receiving most of the well-deserved nods on these lists. That’s also why you should vote in the Rainbow Rodeo poll. I’m a proponent of democracy but let’s just say the polling as it stands now could use a little more diversity in all senses of the word.)

That would have been news-worthy not too long ago, and that should tell us how far queer country artists have come, in spite of the challenges the community has faced this year: from the Aldeans to Americanafest, artists and fans have had to put up with some truly appalling bullshit. But we are recognized and cannot be ignored anymore. (How that translates into food in the fridge and gas in the tank for our musical heroes is a separate discussion.)

This acceptance of queer artists in country and Americana spaces is recent (and of course could be broader) but queer country artists have been self-organizing and supporting each other for decades, as Shana Goldin-Perschbacher points out in her book Queer Country. That’s decades of artists who never got their fair shot.

That’s why I’ve started the Rainbow Rewind column on Rainbow Rodeo, starting with Kandia Crazyhorse’s 2013 album Stampede. Mudgie interviewed Karen Pittelman of Karen and the Sorrows about the Jewish punk rock roots of the current queer country scene, which Karen has been (and still is) so instrumental in building. As much as queer country is growing, it’s so vital remember we are not brand new, and we’ve pretty much always been here.

Other Rainbow Rodeo Articles

It was a pretty quiet week at the Rodeo, so here are the other 2 articles published this week. Keep reading for events, news, Kickstarter campaigns, and artist resources!

  • Mouths of Babes will have you grinning ear-to-ear when you watch their new video for “World Brand New”
  • This week’s playlist features Izzy Ryder (whose upcoming album was produced by River Shook of Sarah Shook and the Disarmers), Lizzie No, Chris Garneau, and more!

Rainbow Roundup

Artist Resources